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       New
      Spain, New Spin, New Works, Old Tin  
      Jeri Moe 
      July 7 - August 31, 2006 
       
      Metal artist Jeri Moe of New Mexico
      creates intricate and impressive nichos, retablos, and sculptures from
      recycled, painted tin as well as raw tin and copper that has been cut,
      hammered, and soldered.  Many of her works are inspired by the
      designs found on the recycled materials.  Moe combines images and
      words in a humorous or profound way:  she is a masterful hammersmith,
      as well as a wordsmith comparable to Jenny Holzer.  Her works are
      small in scale, but epic in substance, questioning the effects of
      industrialization on the agrarian life, religion, gender, sexism, romance,
      and even nostalgia. 
       
       By
      combining older traditions with newer materials and expressions, Moe
      dialectically engages the contemporary art world with folk traditions. 
      When the Spanish arrived in the Americas in the 16th century, they found
      the indigenous people working with tin to make functional tools and
      ornaments in much the same way the Europeans did.  Tinplate (made
      from steel dipped in tin) was documented in Europe as early as the 11th
      century.  During the 18th and 19th centuries in New and Old Spain,
      tinplate manufactured in England served as popular material for tools and
      ornamentation, like candle-holders, frames, canisters, and lanterns as
      well as altar ornaments, crowns for statues of saints, sconces, frames and
      niches for religious pictures, reliquaries, and processional lanterns. The
      development of painted tin in the early 20th century was embraced by New
      Mexico tin artists who created new works using the designs from the
      painted materials.  In the state of New Mexico, Jeri
      Moe is recognized as one of the finest living tin artists still
      working in a centuries old tradition. 
       
      Moe builds on the artistic legacy of
      her region with an ethos of hope. 
      According to Moe: "Resurrecting
      materials from their original uses and their discarded outcomes into
      objects of cultural value is both metaphorical and progressive.  The
      practice shows how we can reshape ourselves within our own culture towards
      cooperative and productive ends." 
      In
      18 years, Hank Lee of San Angel Folk Art has assembled one of the most
      comprehensive and provocative collections of folk, outsider, and visionary
      art, featuring artists from the Americas, Africa,, and Europe. 
      Works from San Angel have been purchased by museums and collectors
      worldwide.  For more
      information about San Angel, go to www.sanangelfolkart.com/jerimoe/index.htm 
        
      We always look forward to seeing you in the store and to making your
      visit worthwhile.  If you can't come by (please try!), then visit us at www.sanangelfolkart.com
        
      Hank Lee and Leigh Anne Lester  
      San Angel Folk Art 
      110 Blue Star San Antonio, TX  78204 
      210-226-6688 
      11 - 6 pm  7 days a week 
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